{"id":901,"date":"2012-02-09T19:46:00","date_gmt":"2012-02-09T19:46:00","guid":{"rendered":"https:\/\/noi3.org\/site\/?p=901"},"modified":"2012-02-09T19:46:00","modified_gmt":"2012-02-09T19:46:00","slug":"eugene-atget-documents-pour-artistes-photo-journal","status":"publish","type":"post","link":"https:\/\/site.noi3.org\/?p=901","title":{"rendered":"Eugene Atget: \u201cDocuments pour artistes\u201d – Photo Journal"},"content":{"rendered":"

\u201cEug\u00e8ne Atget: \u2018Documents pour artistes,\u2019\u201d an exhibition of photographs by Atget that opened this week at New York\u2019s Museum of Modern Art, takes its name from the sign outside Atget\u2019s studio door. The sign underscored his humble intention to make \u201cdocuments\u201d that could be fodder for the creative output of other artists. Atget\u2019s work to document the old Paris that was disappearing as it yielded to modernization began in the late 1880s and continued into the 1920s. Far from being a mere record-maker, Atget is remembered as a forerunner of modern art and photography, and was particularly admired by the surrealists. Man Ray lived down the street from Atget, but it was Bernice Abbott, an American photographer, who bought the contents of his studio when he died and brought the contents to MoMA. The current exhibition is the first extensive presentation of Atget\u2019s oeuvre in 25 years and is…<\/p>\n

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By Rebecca Horne<\/h3>\n

\u201cEug\u00e8ne Atget: \u2018Documents pour artistes,\u2019\u201d an exhibition of photographs by Atget that opened this week at New York\u2019s Museum of Modern Art, takes its name from the sign outside Atget\u2019s studio door. The sign underscored his humble intention to make \u201cdocuments\u201d that could be fodder for the creative output of other artists. Atget\u2019s work to document the old Paris that was disappearing as it yielded to modernization began in the late 1880s and continued into the 1920s. Far from being a mere record-maker, Atget is remembered as a forerunner of modern art and photography, and was particularly admired by the surrealists. Man Ray lived down the street from Atget, but it was Bernice Abbott, an American photographer, who bought the contents of his studio when he died and brought the contents to MoMA. The current exhibition is the first extensive presentation of Atget\u2019s oeuvre in 25 years and is accompanied by the rerelease of the book \u201cAtget\u201d by John Szarkowski. On view through April 9.<\/p>\n

\"Eugene Marchand de paniers en fil de fer, 1899-1900. Albumen silver print. Eug\u00e8ne Atget, MoMA<\/p>\n

\"Eugene F\u00eate du Tr\u00f4ne, 1925. Gelatin silver printing-out-paper print. Eug\u00e8ne Atget, MoMA<\/p>\n

\"Eugene<\/p>\n

Avenue des Gobelins, 1925. Gelatin silver printing-out-paper print. Eug\u00e8ne Atget, MoMA<\/p>\n

\"Eugene<\/p>\n

Parc de Sceaux, June 1925. Gelatin silver printing-out-paper print. Eug\u00e8ne Atget, MoMA<\/p>\n

\"Eugene Romanichels, groupe, 1912. Gelatin silver printing-out-paper print. Eug\u00e8ne Atget, MoMA<\/p>\n

\"Eugene<\/p>\n

Rue de la Montagne-Sainte-Genevi\u00e8ve, June 1925. Gelatin silver printing-out-paper print. Eug\u00e8ne Atget, MoMA<\/p>\n<\/p><\/div>\n

Authors: Rebecca Horne<\/p>\n

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Articolul original<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cEug\u00e8ne Atget: \u2018Documents pour artistes,\u2019\u201d an exhibition of photographs by Atget that opened this week at New York\u2019s Museum of Modern Art, takes its name…<\/p>\n","protected":false},"author":1,"featured_media":888,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-altele-continut"],"_links":{"self":[{"href":"https:\/\/site.noi3.org\/index.php?rest_route=\/wp\/v2\/posts\/901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/site.noi3.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/site.noi3.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/site.noi3.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/site.noi3.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=901"}],"version-history":[{"count":0,"href":"https:\/\/site.noi3.org\/index.php?rest_route=\/wp\/v2\/posts\/901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/site.noi3.org\/index.php?rest_route=\/wp\/v2\/media\/888"}],"wp:attachment":[{"href":"https:\/\/site.noi3.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/site.noi3.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/site.noi3.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}